Showing posts with label A Cutthroat Business. Show all posts
Showing posts with label A Cutthroat Business. Show all posts

Saturday, July 6, 2013

A Cutthroat Update

I keep getting asked about more Cutthroat books, so I thought I'd clarify where we stand on those.

I'm currently about halfway through writing #7, which will be called KICKOUT CLAUSE, for real this time. I hope to have the book out by the end of the year, but I can't guarantee anything. Sometimes stuff happens, you know?

I have plans for books 8 and 9. Fairly sure I know exactly what'll happen in ...#8, and I have a good if basic idea for #9 based on what I know will have to happen in the series at that point. I'm working off a basic story arc here. The same way the first five books were planned together, these four (6-9) are planned as one long, over-arching storyline, too, with one book (hopefully) flowing seamlessly into the next. 

There may or may not be a wedding at the end of #9. I'm just not sure yet whether it'll fit there or not. It depends on length and how the end of #9 winds up. If there isn't a wedding in #9, I'll either write a book 10, or a novella or short story.

God willing and all that, of course. Again, stuff happens.

Beyond that, I'm not sure what'll happen. I could possibly foresee another book or novella, if things turn out the way I think they will, but it's hard to make a committed, settled relationship work in fiction, long-term. All the tension is gone, and it becomes sort of boring to read about. To write about, too. So I don't want to drag things out forever. I know you guys love Rafe and Savannah - I do too - but at some point it'll be time to wave goodbye and let them get on with their lives.

Not quite yet, though.

Thursday, May 23, 2013

99 cent bargain

Just a quick heads up that the MMM ebook bundle - Mirth, Murder and Mystery - is 99 cents for the next month.

MMM is a collection of seven books from seven authors - one of them yours truly.

A Cutthroat Business is in there.

So is my critique partner Jamie Lee Scott's Let Us Prey, a humorous PI novel about Mimi Capurro and the Gotcha detective agency in Salinas, California. It's a vampire novel... sort of. And there's a headless body. Need I say more?

In addition to that, the bundle includes the following:

The Ex Who Wouldn’t Die by Sally Berneathy
Amanda has been trying for a year to divorce her lying, cheating, scam artist husband, Charley. Then he turns up dead, murdered. Finally they are no longer married! But she is the primary suspect and, as if that isn't bad enough, Charley's ghost shows up in her apartment. He was rejected, kicked back to earth, not allowed to go into the light. Even death did not them part.

A Touch of Ice by L.J. Charles
When Everly Gray touches photographer Mitchell Hunt and sees the image of a dead body, she dives into the murder ESP fingers first. Caught in a web of intrigue, El discovers an aptitude for breaking and entering, the pain of a gunshot wound, and the terror of facing a killer. What she doesn’t learn—to keep her fingers to herself.

The Chase by Adrienne Giordano
Hard-driving attorney Jo Pomeroy is as determined as she is sexy—in other words, a major pain in NYPD Sergeant Gabe Townsend’s butt. Working together on a high-profile task force charged with busting sales of counterfeit goods has been rocky from the start. Now, she’s on the radar of a mysterious smuggler not afraid to use violence to evade the law. At the risk of their lives—and their hearts—Gabe and Jo must find him before he finds them.

The Secret Ingredient by Misty Evans
During a live cooking show in her hometown, celebrity chef Katelynn Karr's father dies in front of millions of viewers, and suspicion falls on Kate when his autopsy reveals he was poisoned. Nick Juno, the boy she left behind and who is now mayor, is the only person who can prove Kate's innocence.

The Throwbacks by Stephanie Queen
To salvage his career, exiled Scotland Yard "Flying Squad" detective, the not-so-young David Young, joins the Boston Police Department.
But this rogue detective can’t resist an unlikely romance with his young and vivacious decorator, Grace Rogers, even when she becomes a key witness in his high-stakes case--and like Kryptonite to his career and well-being.

I'm sure you'll agree that that's a lot of books for 99 cents.

You can find it on the following platforms, until June 22nd.

 
 
 
 


Happy reading!


Thursday, May 9, 2013

The Next Big Thing - take 4

Welcome, boys and girls, to another round of The Next Big Thing, this one courtesy of the fabulous Lexi George. If you haven't read the fabulous Lexi's books - starting with Demon Hunting in Dixie - you must. And just to whet your appetite, here's the fabulous Lexi herself, reading the Weenie scene, at the Olde City, New Blood conference in St. Augustine in February.


 
 
 
And now, onto the Next Big Thing, which brings it back to me and my latest book.

1) What is the working title of your next book?
 
Change of Heart. It's the 6th book in the Savannah Martin mystery series, about a recovering Southern Belle realtor in Nashville, Tennessee, and the trouble she gets up to in love and in life.

2) Where did the idea come from for the book?
 
It's the 6th book in a series, so I'm always looking for plot ideas that might fit what I've already got going. The inciting incident - the incident that kicks off the action, namely Rafe sneaking out of bed at 6 AM - was just the next logical progression in the relationship, and then it became about what else might happen when Savannah was up and out earlier than usual. Catching Tim Briggs rinsing blood off his hands in the office sink became the next thing that happened, and it went from there.   

3) What genre does your book fall under?
 
It's a romantic mystery with an amateur female sleuth.

4) What actors would you choose to play the part of your characters in a movie rendition?

British-Nigerian actor O.T. Fagbenle looks a lot like I imagine Rafe in my head. Boris Kodjoe and Shemar Moore would be OK too, although they're both getting too old. And Savannah looks sort of like Faith Hill: a pretty and sexy girl-next-door type.

5) What is the one-sentence synopsis of your book?

It doesn't really have one. Or maybe I should say that I haven't taken the time to come up with one. The tagline on the book is "The honeymoon's over..."

6) Who is publishing your book?

It's part of my self-published series, so the short answer is, I am.

7) How long did it take you to write the first draft of the manuscript?

Two months. The amount of time it usually takes me to write this length book.

8) What other books would you compare this story to within your genre?

Most people seem to think the Cutthroat Business books remind them of Stephanie Plum. Not surprisingly, since that's what I was reading when I wrote the first book. There's more emphasis on the romantic relationship, though. The series is really one long romance novel more than anything else. Unless the mysteries are directly related to the romantic relationship, they're more in the vein of background.

9) Who or what inspired you to write this book?

My readers! I thought the series was finished after five books, but so many people emailed me asking for more, that I figured I'd give it a try and see if I could get back into it. It's been nice, visiting with old friends. I just hope I've managed to recapture whatever magic the original books had!

10) What else about the book might pique the reader's interest?

I have no idea. It's just the next installment of the ongoing saga of Savannah and Rafe, you know?

 
* * *

Change of Heart is available in digital format from the following e-tailers, starting today:
 
 
 
BARNES AND NOBLE

SMASHWORDS

KOBO


Kobo, Apple, Sony and a few others are on their way.

Wednesday, May 1, 2013

Book Lovers Buffet

 

Introducing the Book Lovers’ Buffet. Load up, you won’t gain a pound!

The Buffet’s “Bouquet of Books” sale will be open May 1-3. More than 175 ebooks, all reduced in price to just 99 cents. Save in categories such as Young Adult, Contemporary, Paranormal, Suspense, Erotic Romance, and more!
PLUS, visit the website to win gift cards to your choice of online retailers. $400 in gift cards up for grabs!
Titles from popular authors such as:
· Gemma Halliday
· Angie Fox
· Jenna Bennett
· Amanda Brice
· Jennette Marie Powell
· Clover Autrey
· Carly Carson
· E. Ayers
· Genevieve Jourdin
· CJ Lyons
· Renee Pace
· Sophia Knightley
· Tori Scott
· Meredith Bond
· Emily Ryan-Davis
· Anthea Lawson
· Diana Layne
· Lindsey Brookes
· Gina Robinson
· McKenna Chase

A Cutthroat Business is marked down to 99 cents for the sale, and so are books from a lot of other authors. Enjoy!

Tuesday, April 2, 2013

StoryBundle

This is epic, y'all. Epic.

Moi - yours truly - has been invited to be part of a StoryBundle.

And not just any StoryBundle.
No, this is the bestseller StoryBundle. The StoryBundle to end all StoryBundles... or maybe not.

What's a StoryBundle, you ask?

Here. The scoop, directly from the horse's mouth, from M.J. Rose herself:

It’s an exciting proposition to be given the opportunity to curate a bundle of books. Immediately you think of the terrific books you’ve read in the past few months. I wanted to give you an interesting and compelling bundle. And so I gave myself certain criteria the authors and books had to meet in order for me to include them.

  1. The books had to have critical acclaim. I didn’t want to choose books that hadn’t been vetted and gotten the stamp of approval not just by a few readers but by many. Like my friend Melissa Foster’s Come Back to Me. It’s a story about danger, loyalty and love. It was a FINALIST, Readers Favorite Award, Contemporary Romance, 2012, a FINALIST, in the Kindle Book Review Best Indie Books Award (2012) and a FINALIST, Next Generation Indie Book Awards (2012)
  2. The stories had to excel in what ever their goal was – if it was a romantic suspense like New York Times CJ Lyons’s FBI thriller Snake Skin then it had to be fabulous romance and heat throbbing suspense. And it didn’t hurt that bestselling giants like Lee Child and Sandra Brown have both praised Lyons for her excellence in the genre. Lee said CJ's work is "Everything a great thriller should be – action packed, authentic, and intense."
  3. The books had to be surprising – I didn’t want to feel like I’d read it before – because you would’ feel it too. And like Katia Lief’s Here She Lies. I know Katia and how hard she works to surprise us. Huntress Reviews said it better than I can. "If you love Alfred Hitchcock classic mysteries, then do not hesitate to buy this book. Just when you think you know what is going on, a new twist springs a fresh revelation on you. A fascinating read."
  4. I wanted a mix of styles. So because sometimes it can get a little dark out there I wanted to offer a book that was as charming and sexy and funny as it was mysterious. And no one is better at that than New York Times bestselling author Jenna Bennett and I’m not the only one that thinks so – the critics love her. "The hilarious dialog and the tension between Savannah and Rafe will delight fans of chick-lit mysteries and romantic suspense." – Library Journal
  5. I wanted books where you would remember the characters long after you closed the book and moved on. And no one creates characters who move you than Emily Sue Harvey. It was my friend, the NYT bestseller Steve Berry who first told me about Unto These Hills. He said it is "A subtle tale deep with character and southern atmosphere to die for. Emily Sue Harvey has a sure touch and strong voice. She's a talent to watch." And is he ever right!

 
Just like in our past bundles, you can pay whatever you like for these six fantastic books:
 
•    Come Back to Me by Melissa Foster

•    A Cutthroat Business by Jenna Bennett

•    Here She Lies by Katia Lief

•    Snake Skin by CJ Lyons

•    The Delilah Complex by M.J. Rose

•    Unto These Hills by Emily Sue Harvey

And if you pay more than the bonus price - which is $12 - you get two extra titles:
•    Nerves of Steel by CJ Lyons

•    The Venus Fix by M.J. Rose, the final chapter in the Dr. Morgan Snow trilogy
 

For more information, visit our website at storybundle.com, follow us on Twitter at @storybundle, like us on Facebook, and Plus us on Google Plus. For press inquiries, please email press@storybundle.com.

* * *

So there you have it. If this sounds like something you can get behind, visit StoryBundle and do your worst. Happy shopping!

Monday, March 11, 2013

A tiny tidbit of Kickout Clause

Now that DIY-7, Home for the Homicide, is safely on its way to New York and Berkley Prime Crime - and a week ahead of schedule, too! - I am reading through the first 144 pages of Kickout Clause, the 6th Cutthroat Business mystery, preparatory to getting back to work on it.

And I thought I'd share a little teaser for those of you who are eagerly awaiting the new release. It'll be sometime in May. Early May if the going's good, later May if something comes up or I can't keep up at my usual crazy pace. I have a little over half the book to go - 50,000 words or so; maybe 170 pages - and then it's yours, all yours.

But in the meantime, I thought you might enjoy this little excerpt from somewhere in - I think - chapter 4. Please forgive any errors; this is an unedited, unproofed excerpt and may or may not change in revisions.


I fully expected Rafe to slink in after I’d turned out the lights and attempted to go to sleep for a second night in a row. Imagine my surprise when he showed up around dinner time, as I was curled in a chair in the living room, deeply invested in the romance novel I had picked up at the grocery story this afternoon along with the hot chocolate and the cookies. I was enjoying a cup of cocoa and a few of the cookies too, since they’d only go to waste if I didn’t eat them.

The book was your classic tale of contemporary love, between the cold-hearted, money-grubbing billionaire and the sweet woman who turned him human. The tall, blond, gray-eyed hero had quite a lot in common with my ex-husband Bradley, not to mention Todd Satterfield, my brother’s best friend and the man my mother had designated as my second husband.   

My mother isn’t terribly fond of Rafe. Not to put too fine a point on it, but if there existed a list of all the men in the world my mother could imagine me getting involved with, Rafe would be at the bottom.

There are lots of reasons for this, beginning with his mother, his father, his grandmother, the rest of his family, his illegitimate child, his skin color, his past, his present, the fact that he seduced me, the fact that he knocked me up, the fact that he left me, the fact that he came back, the fact that he’s risked my life more times than mother is comfortable with—never mind the fact that he’s saved it a few times too. Most of all, it’s simply because he isn’t Todd. Mother wanted me to marry Todd. She’s dating Todd’s daddy, Sweetwater sheriff Bob Satterfield, while my brother Dix remains Todd’s best friend. If I were to marry Todd, it would set mother’s world to rights. And when I chose Rafe instead, let’s just say she wasn’t best pleased. Our relationship became official at Christmas, and she hasn’t quite gotten over it yet. I’ve done my best to keep the two of them apart since then, since my life is a lot easier that way.

Anyway, I was sitting there reading when Rafe walked in. First I heard the key in the door, and then steps in the hallway. A couple of thuds were the sound of his boots hitting the floor. A rustle was his leather jacket being hung on one of the hooks. And then I heard his footsteps padding down the hallway toward me, past the kitchen and the half bath, into the living room/dining room combination.

I looked up from the book, but I didn’t say anything. He didn’t either, for the first few seconds. We just looked at one another. And as usual, even in the midst of my worry and anger, the sight of him took my breath away.

It’s not just because he’s beautiful, although he is. Six foot three or so, all hard muscle and golden skin. LaDonna Collier was a blue-eyed blonde like me, while Tyrell Jenkins was black, and the combination is gorgeous. It’s also served Rafe quite well in his ten years of undercover work. He can look African-American, he can look Hispanic, he can look Middle Eastern or Greek, and dressed up in a suit and tie, he fits in quite well with the upper crust, too, as long as he tones down that far-from-upper-class Southern drawl.

At the moment he was dressed in a black T-shirt that pulled tight across his arms and shoulders, and a matching pair of cargo pants. With his hair in its usual barely-there crop, and with the viper tattoo on his arm peeking out from under the sleeve of the shirt, there was nothing refined or civilized about him at all. He looked hot as hell, and he also looked dangerous. I recognized the getup from early December, when he’d used it to play bouncer at La Havana nightclub.

As if to complete the picture, he reached behind him to pull out a gun and lay it on the coffee table, as easily and without fanfare as if it were an everyday occurrence. For him it was, or used to be. For me, it was becoming more so.

And then he sauntered around the table to brace his hands on the arms of the chair I was sitting in, one on each side of me. “Evening, darlin’.”

When he leaned in to kiss me, I turned my face aside. “You smell like smoke.”

There was a beat while nothing happened, and I could feel his breath against my cheek. Then he straightened. “Yeah?”

I already wished I could take it back, but it was too late. He didn’t wait for me to answer, just turned on his heel. “Guess I’d better take care of that.” He peeled the T-shirt up over his head as he sauntered toward the door to the bedroom and the shower beyond. Muscles moved smoothly under golden skin, and my tongue got stuck to the roof of my mouth. So much for pretending I was unaffected.

I thought he might disappear into the bedroom without looking back, but I guess he knows me too well. When he glanced over his shoulder as he passed through the doorway, the look on my face as I watched him must have told him everything he needed to know, because he winked. “Hold that thought, darlin’.”

No problem. I closed the romance novel and used it to fan myself.
 
# # #

Monday, November 19, 2012

The Cutthroat Business Christmas Novella is live!

Happy Holidays, y'all!

The Cutthroat Business Christmas novella went live today on Amazon, Kobo and Smashwords. iTunes goes through Smashwords and so takes a bit longer, and BN is also dragging their heels and still "processing." However, it's coming on all channels pretty shortly.

FYI, it's a sweet little story - only 18,000 words - about "the morning after": Christmas Day, the day after A Done Deal ended.

Savannah's looking at Rafe and the rest of her life - which includes a pair of fur-lined handcuffs and an economy sized box of 365 condoms, one of which plays Santa, Baby... but not until after they both survive Christmas dinner with the Martins.

And with Margaret Anne at her most poisonously polite, and no help from Catherine or Dix - both of whom are too busy laughing their heads off at Rafe's Christmas sweater - not to mention a jewelry box with a ring under the tree... well, there are no guarantees that Rafe will want to stick around after dessert.

There's no real mystery about this one; just a nice romantic (and funny) holiday treat for everyone who's asked when the next book's coming.

(And speaking of that... the next book will probably be coming in the spring, maybe April or May - I have to finish writing it first, and I have two other books due first - but the first chapter of Kickout Clause is attached to the holiday novella as a teaser. If you needed more incentive to buy it...)

As you were, happy and healthy...

Sunday, November 11, 2012

The Next Big Thing

The fabulous Joyce Tremel threatened invited me to take part in this blog chain thing going around called The Next Big Thing. It's for writers, and has to do with our WIPs - or Works in Progress, for the uninitiated.

The deal is, someone tags you, you answer ten question about a new or recent project, and you tag five more people who wait a week and do the same. Joyce tagged me last week (check out her post and her WIP here), and I'm hereby tagging the following victims... um... writers for next week:

Jamie Lee Scott
Teresa Watson
Jody Wallace
Diane Alberts
Chloe Jacobs

Be sure to visit their blogs next week to learn about their WIPs.

Now, onto the good stuff:

What is your working title of your book?

Contingent On Approval - a real estate term that means that someone's concent or agreement is necessary to move forward with the transaction.   

Where did the idea come from for the book?

It’s a novella that takes place right after the events of A Done Deal, my 5th Cutthroat Business mystery that was released last Christmas. It ends on Christmas Eve, with the hero and the heroine tumbling into bed together. It’s taken them five books to get there. Not physically, because they’ve been in bed together before, but to a point in their relationship where they’re actually committed to one another.

I thought the series was over at that point, or at least I never really planned past it. But as I was reading a lot of holiday novellas myself last Christmas, the idea came that maybe I should write Savannah and Rafe’s version of a Christmas novella.

I played with it a little last year, but then I had to start working on other things because deadlines were coming due. I picked it up again a week or so ago, and aim to have it finished and out by December 1. My very first novella!

What genre does your book fall under?

The Cutthroat Business series has been either a five-book mystery series or one long romance, depending on how you look at it. To me, it was always about the relationship between the two main characters, with the romance taking place against the backdrop of the mysteries, so to speak... but I suppose someone else might call it a mystery series with a romantic subplot. Either way, the novella is mostly just a little romantic interlude with not much mystery about it. The biggest question is whether Rafe will survive dinner with Margaret Anne Martin, Savannah’s sainted mother, who is fully capable of slicing a man to ribbons with nothing but her tongue—and whether he’ll still want to be involved with Savannah afterwards.

Which actors would you choose to play your characters in a movie rendition?

Ever since I saw Agatha Christie’s By the Pricking of My Thumbs (2006) with O.T. Fagbenle as Chris Murphy, I’ve pictured him as Rafe. If I can’t have him, I’d settle for either Shemar Moore or Boris Kodjoe, although they’re both about 8-10 years too old for the role by now. As for Savannah... I’m not really sure. I’ve always imagined her a bit like Faith Hill: pretty, blonde, and Southern, a girl-next-door type rather than a femme fatale.   

What is the one-sentence synopsis of your book?

Guess who’s coming to (Christmas) dinner? Or maybe, Will Rafe and Savannah survive Christmas dinner with Savannah's sainted mother, or will Rafe decide Savannah isn't worth the trouble?  

Will your book be self-published or represented by an agency?

This is my self-published series – as opposed to the DIY books, which belong to Berkley and the Good Fortune series, which goes through Entangled Publishing – so the novella will be self-published.

How long did it take you to write the first draft of your manuscript?

I’m not done yet. I figure another week ought to do it, which will put me at about two weeks, all told. Rather a lot for a 20,000 word novella. I wrote 53K in 13 days in June...

What other books would you compare this story to within your genre?

If Janet Evanovich wrote a Christmas novella for Stephanie Plum, I guess maybe that’d come close. Gemma Halliday has a High Heels Christmas story, and Misa Ramirez has a Lola Cruz Christmas story... maybe something like that? It’s like any short novella wedged into an ongoing series, you know?

Who or what inspired you to write this book?

No one and nothing, other than that it seemed a logical continuation of the series as it stood. As for what inspired me to write the series in the first place, it was a combination of reading all the Stephanie Plum books, hearing Tasha Alexander tell me that if she could write a book and become published, I could too, and going through real estate school where there was a lot of talk about safety and empty houses. I had the idea for a new-minted realtor walking into an empty house and finding a dead body, and the rest, as they say, is history.

What else about your book might pique the reader’s interest?

I don’t imagine anything much will. People who have read the first five books in the series, will probably enjoy seeing Savannah and Rafe’s first day together as a couple, but this probably isn’t a good place for anyone not familiar with the series to jump off. I’m mostly just writing it for fun and to keep the readers happy while they wait for book 6, Kickout Clause, to be available in the spring,   

* * *

So there you have it. The nitty-gritty on this week's WIP, Contingent on Approval, in which Savannah wakes up in bed in the Martin Mansion in Sweetwater, looking at Rafe and the rest of her life... just as soon as they both live through Christmas dinner with Mama Martin. The novella should be available around December 1, or so I fondly hope.

Until next time!  
 

Monday, August 13, 2012

A Cutthroat Business - a few words on darkies, trailer trash, and other un-PC terms

So I got this 1-star review on Amazon yesterday, for A Cutthroat Business.

I've been waiting for it, both because - when a book goes free - a lot of people download it who wouldn't ordinarily buy it, but more because I figured it was just a matter of time before someone picked up on the racial issue and took it the wrong way. It's pretty much a miracle that it hasn't happened before.

Except of course it has. Not in reviews, but back a few years, when A Cutthroat Business was about to be released by its first publisher, I went hunting for author endorsements. Since the book is Southern fiction and dealing to a very large degree with issues that are still alive and well in the South, I approached several well known Southern mystery authors. A few of them refused to endorse the book because of the racial slurs.

One, a brilliant Southern mystery writer whom I adore, both as an author and a person, went so far as to tell me she thought the book was accurate, but she couldn't put her name on it because her - New York, Big Six - publisher would have a conniption. Not PC enough.

And I can respect that. We all have to do what we have to do. But I did figure, when the book went live, sooner or later someone would come along who'd miss the point of the racial references.

Now it's happened.

Here's the review:

So, I'm not sure why the author found it necessary to refer to African-Americans as "darkies" in this book. I am beyond shocked that she thought this was acceptable. I stopped reading after multiple negative or derogatory references to black people.
Disgusting. I wish I could negative stars.


And I'm responding to it here, not on Amazon, because you don't engage the crazies. Ever. It would turn into a mud-slinging, and I don't need that. I'm proud of A Cutthroat Business. I wouldn't change a word of it. Especially not that one. And if you don't know me personally, obviously you don't know whether I'm a racist in real life or not. As it happens, I'm not, although that isn't really the point. As far as I'm concerned, the book makes it clear, and I'm only sorry she got so caught up in the words that she wasn't able to look past them to the meaning.

Here's the thing:

A) Yes, the word "darkie" is in the book. It's in dialogue. As in, someone said it. Doesn't mean I'd say it myself; doesn't mean I think it's an OK thing to do. That's not my call. But any halfway decent author lets his/her characters use the words they want, because that's who they are. It's not an endorsement, and it doesn't mean the author would; it just means that here's a person who'd use that kind of language. Our job as authors - one of them - is to faithfully record what the characters do and say, and not to censor them. If that makes some readers uncomfortable, so be it.

B) The guy who said it, Rafe Collier, is himself half black. Or half African-American, to use the PC term. Here in the real world - and in the South - people still say black. Sometimes they even say colored (another word that's in the book) and darkie. And white trash. Yes, those are in there, too. And Rafe's grown up hearing them. All of them. He has an attitude. Can you blame him?

C) He only says it to make Savannah, the heroine, feel embarrassed about her family's past. In antebellum times, before the Civil War - the War Against Northern Aggression, in Savannah's and Rafe's parlance - the Martins had a plantation and were slaveowners. She grew up in the old Martin mansion. Some people have that past. A lot of the old antebellum mansions are museums these days, but there are some that are still privately owned and that serve as homes. Savannah's is one of them.

D) Does she have racial prejudices? Sure. It's more "us and them" than it is "superior and inferior," but they're there. She couldn't have grown up the way she did and avoid racial prejudices, I think. That's kind of the point of the book. Yes, it's fun and happy, a sexy, sassy mystery, but in the subtext, it's about a young woman who, for the first time in her life, is on her own - out of her parents' house, away from her Southern gentleman ex-husband - and who is able to see the world without that filter for the first time, and to start to question the "truths" she's always taken for granted. In its way, it's actually a pretty deep book. Of course, if you only look at the surface, you might miss that.

E) Savannah is embarrassed by what Rafe says, not just because of her family's past and Rafe's throwing it in her face, but because the word he uses is ugly and she knows it. She'd never use it herself. He knows she wouldn't. That's why he does.

F) At the risk of giving away a major plot point: this guy is the love interest. Think about that for a minute.

G) The series is about whether Savannah can overcome her upbringing - her ingrained racial prejudices and her need for her family's approval - to commit to the guy she's falling for, who's everything she knows she shouldn't want, but whom she loves anyway. Because unlike her perfect Southern ex-husband, and her perfect Southern suitor, and her perfect Southern mama, he lets her be herself. She can't say or do anything to shock him, because he's already seen or heard worse.

***

It was very, very hard to sell A Cutthroat Business. It made the rounds in New York for a couple years, gathering rejections, before someone finally took a chance on it. And when it was released in 2010, sadly, it didn't do very well at all. I'm sure the PC world and the subject matter had a lot to do with both of those, because - at the risk of sounding self-congratulatory - I don't think it's the writing that's subpar. I'm far from the best writer in the world, but I don't have any problem selling other books.

I wouldn't change a word of it, though. I'm proud of A Cutthroat Business. Everything about it is exactly the way I want it to be.

Because you know what? I didn't write about racism because I think racism is OK. I wrote about it because I don't.

Racism is still alive and well, not just in the South, but everywhere. And it's ugly. And books need to be written about it. When we become so PC that we can't reflect the real world, and the ugliness in it, and shine a light on it and maybe make someone think, for fear that we'll be called racists ourselves, then we've lost something precious.

I knew A Cutthroat Business would be uncomfortable reading for some people. I figured there'd be those out there who were put off by the subject matter. I wish they were put off by the racism itself, and not the words I chose to highlight it, but I guess it comes to the same thing in the end.

Thanks for reading.

Saturday, March 10, 2012

Out with the old, in with the new?

Got a question for you, fellow booklovers.

I write this series of books called the Cutthroat Business mysteries, right?

They're pretty good books, if I do say so myself, but they're hard to categorize. Not sweet enough for cozies, not enough sex for romantic suspense. Plus there's that pesky first person POV.

When I had the covers done for the series, I went with cute. Black silhouettes on brightly colored backgrounds. Like these:



However, I've been wondering if more people would pick up the books if they had different covers. Something less cute. More sexy.

So with that in mind, I spent a few hours this morning playing with GIMP. (Nice little photo manipulation program. Free. I haven't figured out how to do much with it yet, but I've grasped the basics.)

Here's what I came up with. Just two so far - it's hard to find more than a couple workable photographs with the same woman. I have one more, where she's holding a gun, but I'm saving it for a special occasion. Maybe book 3, Contract Pending. Lots of guns in that book. Savannah doesn't have any of them, but that's poetic license, right?

Like the silhouettes, these are brightly colored, but otherwise they're not really sweet at all. Nothing cozy about these. I like them, though. I'm just not sure anyone else will.

So what do you think, peeps? Stay with the old covers or make a few more new ones and go with those? If you were picking these up for the first time, which would grab your attention first?

And if you've read the books - and I hope some of you have - which do you think do the best job of visually capturing the feel of the series?

Inquiring minds want to know. :-)

Wednesday, December 14, 2011

A Done Deal

It's official: A Done Deal, the last - at least so far - book in the Cutthroat Business romantic mystery series, has entered the world.

You can find it for sale from these fine etailers:

AMAZON

BARNES and NOBLE

SMASHWORDS


The iBook version, along with Kobo and Sony and Diesel and a few others, goes through Smashwords, so it'll be a week or so until it's available there, but in the meantime, if you have an ereader that isn't a Kindle or a Nook, Smashwords should have a format you can use.

Here's a taste of Chapter 1:


Todd looked coy.“What would you like Santa to bring you, Savannah?”

Rafe, I though, and immediately chastised myself. He was gone, he wasn’t coming back, he didn’t want me. I smiled. “Nothing. I have everything I need.”

“Diamonds?” Todd suggested.

“God, no.” That brought to mind engagement rings, and I couldn’t imagine anything worse than having to turn down another proposal in front of my entire family on Christmas Eve.

“A puppy?”

From his expression, it was almost as if he thought a puppy would make up for the baby I’d lost. My baby had been barely bigger than a blueberry when I miscarried, but after all the agonizing I’d done over whether or not to keep it, it had become very real to me. And as much as I like puppies, it wasn’t the same.

“I live in an apartment,”I said. “With a no-pets policy.”

“I guess a kitten is out of the question too, then.”

“You could get me a goldfish. I’m allowed to have those.”

Todd’s expression lightened. “Do you want a goldfish?”

“Not really,” I said apologetically. “I was joking. I don’t really need a Christmas present.”There was nothing anyone could give me that I wanted. Especially Todd.

I wondered if I ought to ask him what he wanted for Christmas, but I was afraid of what the answer would be. And I’d bought him a sweater in any case.

I speared a mushroom with my fork and lifted it to my mouth.

“Isn’t that Collier?” Todd said, looking over my shoulder.

For a second, my heart skipped a beat and I almost choked. Then I realized two things: 1) he’d probably only said it to get a reaction from me—Todd was suspicious of my feelings for Rafe long before there were any feelings to speak of—and 2) there was no way he could be right.

I swallowed the mushroom and made sure my voice was steady. “I doubt it. If he were back in town, I’m sure someone would have told me.”

And it probably wouldn’t have been Rafe himself. If he hadn’t stuck around when I lost the baby, and he didn’t get in touch after I was shot, he wouldn’t bother to call to tell me he was back in Nashville, either.

I had, however, become friendly with Tamara Grimaldi, homicide detective with the Nashville PD, and she knew Rafe too, and kept tabs on him through her contact in the Tennessee Bureau of Investigations. I trusted her to let me know if anything important happened. Like, if he died. Or if he’d been shot or hospitalized.

Or if he’d come back to Nashville.

Todd nodded, reassured by my lack of interest, and forked up another piece of veal.

I continued my internal monologue while I chased mushrooms around my plate. Even if Rafe was back in town and nobody had bothered to tell me, he wouldn’t be here at Fidelio’s. He despises the place. I’ve had dinner with him here twice, and both times he treated the fancy cuisine and snobbish waiters with irreverent amusement. He wouldn’t choose to come here unless it was with me. And since we were over and done, he had no business being here. It was probably just someone with a passing resemblance to Rafe. Todd was a little bit paranoid on the subject; he was probably just seeing things.

“Are you sure he’s not back in Nashville?”Todd said. “Because that really looks like him. Just the kind of woman I’d expect him to be with, too.”

Woman?

I twisted on my chair. “Where? I really don’t think...”

And then my breath went when I saw that yes, it was indeed Rafael Collier on the other side of the restaurant, just sitting down at a romantic table for two. A table I had once shared with him, as it happened. Behind a pygmy date palm. And the woman he was with was exactly the kind of woman I would expect him to be with, too.

A woman very much not like me, I might add.

Like Rafe, she looked like she might be of mixed race. Long, dark hair fell straight like a waterfall down her back, and she had exotic almond-shaped eyes in a stunning face with flawless caramel skin and red lacquered lips. She was shorter than me, and even in four inch heels she barely came up to his shoulder. Granted, he’s tall—six three, give or take—but she was still on the petite side. And she was poured into a short, tight, Christmas-red dress that clung to every curve she had, and his hand was right there, on the exposed skin of her back. That, more than anything else, hurt. He was touching her. In a sort of intimate way. Skin to skin. The same way he’d touched me.

I own a red dress too. I’d bought it to coax a proposal from Todd, back when I thought being engaged to Todd would make me less likely to indulge in my feelings for Rafe. Instead, it had been Rafe who peeled it off me at the end of the night.

My dress isn’t as short or as tight—hers looked like lycra; mine’s satin—but it’s also backless, and I could remember disconcertingly well the feeling of his hands on my back, warm and hard and a little rough. I could remember what happened afterwards too, and the thought that they’d be leaving Fidelio’s and going home to make love in his bed—the bed where he’d made love to me—was enough to turn the Chicken Marsala to sawdust in my mouth.


# # #

Sunday, July 31, 2011

Excerpt - Close to Home

From Chapter 1 of Close to Home:

“I have a problem,” I told Dix.

“I’m sorry to hear that,” my brother answered, his voice as clear in my ear as if he were sitting right next to me instead of a couple of counties over. “What’s your problem?”

The emphasis told me I wasn’t the only one with problems. Maybe our sister Catherine had called him to moan and groan. Or maybe Todd had. Dix’s best friend, assistant D.A. Todd Satterfield, had probably called to whine about me, and about the fact that I hadn’t yet accepted his proposal of marriage.

Or maybe something was going on with Dix himself. Although what kind of problem could Dix possibly have, with his perfect wife, his perfect children, and his perfect career?

Still, I’ve been trained well. I asked. Making sure my voice was sympathetic. “What’s wrong?”

“Nothing you can help me with right now. Except maybe by giving me a distraction. What sort of problem, sis?”

“I’m...” I cleared my throat, “...pregnant.”

Dix was quiet for a second. “I’m sorry,” he said. “I could have sworn I heard you say you’re pregnant.”

I didn’t answer.

“You did say you’re pregnant.”

He waited. When I still didn’t speak, he added, “Well, that did it. I’m distracted. Are you sure?”

Of course I was sure. It wasn’t the kind of thing I’d toss around if I weren’t. I’d bought six different over-the-counter pregnancy tests, all different brands, two of each so as to safeguard myself against any mistakes, and all six had come out positive, one after the other. I was definitely pregnant.

“Well, are congratulations in order?” Dix asked. “If you don’t mind my saying so, you don’t sound happy.”

“I’m not sure how I feel.” Other than scared out of my mind.

“Because of the...” he lowered his voice, “miscarriage?”

I’d had a miscarriage some three years ago, while I’d been married to Bradley Ferguson. I had told Catherine about it, and she had told mom, and at some point I guess someone had told Dix. It wasn’t me. It’s not the sort of thing you discuss with your brother. “How do you know about that?”

“Catherine told Sheila.” His voice changed subtly on his wife’s name, but I didn’t pursue it. In retrospect I realize I should have, but at the time I had other things on my mind.

“That’s part of it,” I answered. “It was not a good experience.”

Understatement of the year. Bradley and I had lasted less than two years before we called it quits, so I guess it had been for the best really, but at the time it had been difficult.

“This’ll make Todd happy, anyway,” Dix said, trying to look on the bright side. “Now you’ll have to marry him.”

I didn’t answer. Couldn’t bring myself to come right out and say it. “It isn’t Todd’s baby.”

And then I didn’t have to. When I didn’t say anything, Dix read my silence. His voice changed. “Oh, sis. What have you done?”

“Something stupid?” I don’t know why I posed it as a question. I’d been stupid, no doubt about it.

“I’d say. You slept with him? And you didn’t make sure you were protected? What were you thinking?”

“That’s kind of the problem,” I muttered. “I wasn’t.”

I’d been feeling. Needing. Enjoying. But not thinking. Too wrapped up in the moment, I hadn’t given the possibility of getting pregnant a thought until I didn’t get my period on time. And Dix was right. I’d been an idiot. It had been bad enough to sleep with Rafe in the first place, when I knew we’d never have any kind of real relationship, but to do it withoutprotection...!

“That’s obvious,” Dix said.

My voice was tiny. “So what do I do now?”

“You’re asking me?” I could picture him, running his fingers through his sandy blond hair, making it stand straight up. Fisting his hands in it in frustration and yanking. “All right. You don’t have many options that I can see. There’s not much chance you can pass this kid off as Todd’s...”

“No.” Any baby Rafe and I made would have its father’s dark hair, dark eyes, and golden skin. My blonde and blue-eyed fairness might lighten things up a little, like a liberal dash of milk in coffee, but we’re still talking cafĂ© au lait, not plain vanilla. And since Todd is as fair-haired and blue-eyed as I am, there was no way we’d be able to explain something like that away. Or like he’d want to.

“God, sis,” Dix said, as if he were looking at the picture in my mind and freaking out all over again, “what were you thinking?”

The thing is, the picture was beautiful. A little baby... girl? boy?... with big dark eyes, thick black lashes, and a big toothless smile, holding on to my finger—

“Obviously marrying him is out,” Dix said, popping the bubble.

I nodded. Yes, and not only because he hadn’t asked. He probably didn’t want to. No, scratch that—he definitely didn’t want to. He’d been upfront about it. He wanted me in his bed, but he didn’t want a relationship. Not that he’d said so, but surely if he had, I would have heard something from him at least once in the past six weeks. The whole experience must not have been as mind-blowing for him as it had been for me. He’d achieved his goal of bedding Savannah Martin, and now he was on to the next woman. While I was here, barefoot—I was painting my toenails—and pregnant. Damn him.

# # #

Close to Home, the 4th Cutthroat Business mystery, is available from the following fine establishments:



Sunday, June 19, 2011

#SampleSunday - Hot Property

Here's the last little tidbit from Hot Property; Savannah is sitting her first open house since her friend Lila was murdered, and she's a mite nervous that the Open House Bandits will pay her a visit:

I was still in the kitchen, looking at my list of names, when I heard the sound of an engine pulling up outside. The oven clock said 3:50 right on the dot, and my heart started beating faster. The rumbling was replaced by silence, and then I heard the sound of heavy boots on the flagstone steps. The door knob turned just as I hurried into the front foyer. The door opened and a man came in. He was tall and dark, with broad shoulders under a black leather jacket, and long legs encased in faded denim. His skin was the color of coffee with plenty of milk, a warm golden tan, and the eyes that scanned the room before landing on me, were as dark and melting as those on a Cocker Spaniel, and surrounded by a thick fringe of long, sooty lashes. They were also rimmed by a smudgy bruise of fatigue, a mute testament to a long and mostly sleepless night. When I didn’t say anything for a second, just stared at him, he flashed a grin. “Cat got your tongue, darlin’?”

My vocal chords were galvanized into cooperating as my cheeks turned pink. “You took your time getting back to me.”

He quirked a brow. “I didn’t know you’d called.”

“I didn’t call,” I said. “I left word with Marquita.”

“I ain’t been over there for a while.” He wandered closer to me, assessing the O’Keeffe, the baby grand, and the antiques along the way. “Your kind of place, ain’t it? All this old stuff.”

I shook my head. “The house is too modern. When you grow up in an 1839 mansion on the Antebellum Trail, a brand new house, no matter how ostentatious, just doesn’t cut it.”

Rafe didn’t answer, but he smiled. I flushed, feeling stupid. He had spent his childhood in a trailer in the Bog, surrounded by leaning walls and a leaking roof, so this place probably looked like a palace.

Then again, Mrs. Jenkins’s house on Potsdam Street, where he lived now – at least from time to time – wasn’t anything to sneeze at, either. Circa 1889, it was a three-story Victorian with a ballroom on the third floor and a circular tower on the southeast corner. It needed a ton of work, some of which he had done, some which he hadn’t gotten around to yet, but it had all the personality this cookie-cutter McMansion lacked.

“So what’s been going on,” I asked, “that you haven’t been over to see your grandmother lately?”

“I spent the night with Tammy Grimaldi.” His voice was so even that it took a moment for the words to sink in. Just as the realization of what he’d said sucker-punched me in the stomach, he added, “So what is it you want, darlin’?”

“Want?” I repeated blankly.

“If you went toe to toe with Marquita, you gotta want something. What is it?”

“Oh. Right. Sorry.” I grimaced. “I wanted to tell you that Lila Vaughn was dead. But if you spent the night with Tamara Grimaldi, I guess you already know that.”

His eyes were opaque. “The subject came up, yeah.”

“Pillow talk?”

Try as I might – and I wasn’t trying that hard – my voice came out sounding snippier than I wanted it to. His lips curved.

“Never mind,” I added, with what little dignity I could muster. Goodness, how humiliating! I wouldn’t blame him for thinking I was jealous.

His voice was easy. “You’re giving me too much credit, darlin’. Women like Tammy Grimaldi don’t look twice at somebody like me.”

“You haven’t heard the way she asks questions about you,” I answered.

He laughed. “That ain’t cause she likes me, darlin’. She probably thinks I’m doing something I shouldn’t be.”

“And are you?” The words just fell out of my mouth without conscious thought, and Rafe chuckled.

“I’m sure I’m doing plenty of stuff I shouldn’t be.”

“Like what?”

“You sure you wanna know, darlin’?”

I hesitated. For just long enough to make it difficult to say yes. “You said you had things to do this afternoon,” I said instead. “What happened?”

He shrugged. “Change of plans.”

“Well, if you didn’t speak to Marquita and get my message, how did you know I wanted to talk to you?”

That was easy, he didn’t.

“So what are you doing here?” I asked.

“Maybe I just came by to pick up where we left off last week.” He grinned, and I took an immediate step back, fetching up against the nearest piece of antique furniture with a bump that sent the elegant console-table knocking against the wall. He laughed. “Relax, darlin’. After Tammy told me what’d happened to Lila, I wanted to make sure you were all right.”

“I see,” I said. “That’s really quite nice of you, to take time out to check on me. Do you want to go back to her, now that you’ve seen that I’m all right?”

He laughed. “What exactly d’you think we were doing, darlin’? I spent the night in jail. She hauled me in for questioning around 8 o’clock yesterday, kept at me till one in the morning, let me sleep for five hours, and came back to work at seven. Then we kept going in circles till one, when she finally let me leave. I had to tell her you were waiting for me before she’d let me out of her sight. She’s probably outside right now, making sure I’m doing what I said I was gonna do.”

“So you’re only here because you told her you would be?”

He shrugged, looking around. “You alone?”

“No, actually. There’s a young couple around somewhere. They went back that way, to look at the master suite...” I pointed, “it must be ten minutes ago now.”

And they hadn’t come back yet.

Maybe Gary Lee and Charlene had overheard our conversation and decided to make themselves scarce until we had finished. Or maybe they’d exited from the master suite out onto the deck, and had gone around the house to their car that way. Maybe I really was alone. Except for Rafe, who was making me feel just a touch apprehensive. “Why do you ask?”

“Just wondering. Busy day?”

“Not too bad. Seventeen visitors, eighteen with you. I’ve seen worse.”

“You sure you shouldn’t check up on your couple? If you ain’t heard a noise for ten minutes, they could be up to all sorts of trouble. Going through the medicine cabinets, pocketing the silverware, strangling one another...”

I shook my head. “They’re nice kids. Newlyweds looking for their first house. I met them two weeks ago at your grandmother’s open house, and I’ve shown them a couple of homes since then. They have another they want to see tomorrow. They’re not doing anything wrong.”

“It’s almost time to close up, though. You don’t wanna leave nobody behind.”

I glanced at my watch. “If they’re not out here in two minutes, I’ll go look for them. Just out of curiosity, why are you being so helpful? You don’t have a moving truck on standby outside, do you?”

“After what happened to Lila? No, darlin’. I ain’t that stupid.”

“Good to know,” I said, wondering whether he really had just admitted that he’d been involved in the open house robberies or if my imagination was running away with me.

“Course, if you’ve got a hankering for being tied up, I could oblige just to make you happy.”

“After what happened to Lila?” I said. “No, thanks. I’m not that stupid.”

“Good to know,” Rafe said with a grin.

# # # 

So there you have it. The last little tidbit of Hot Property, the second Cutthroat Business mystery. The book, as well as the other two, are available from Amazon, Barnes and Noble, and Smashwords for a mere $3.99. A steal, I assure you. What are you waiting for?